Solfege Singing Trainer



Solfege, also called “solfeggio” or “solfa,” is a system where every note of a scale is given its own unique syllable, which is used to sing that note every time it appears. A major or a minor scale (the most common scales in Western classical music) has seven notes, and so the solfege system has seven basic syllables: do, re, mi, fa. In this episode we explore the two methods of Chromatic Solfege Singing and how they apply to Ear Training, Music Production, Performance and overall develop. I believe sight singing is the best method for this. I strongly believe in using solfege, and fixed do solfege (as most people start to develop some sense of perfect pitch over time) is one of the best ways to do this. You can first learn to sing intervals, and then simple melodies.

  1. Do Solfege
  2. Solfege Singing Trainer Wow
  3. Solfege Help
  4. Solfege Do Re Mi

Learn or improve your sight singing and music reading skills using the time-tested method of Solfege.

Training packs These packs of free ear training MP3s can help you learn with your computer or portable MP3 player. Practice aural skills on the move! Do solfege scale exercises to improve your pitch. Most people are familiar with practicing scales that ascend and descend along with a piano. Start with a major scale in the key of C and sing solfege notes such as 'do, re, mi, fa, so, la, ti, do,' while ascending the pitches.

WHAT IS SOLFEGE?

Help

Solfege is a method that is used all over the world to help individuals learn to read music by sight. Universities in aural training classes have their students use this method.

SolfaSinger is a tool for singers and musicians who wish to learn or improve their sight singing and music reading skills using the time-tested method of solfege.

The Circle of Fifths Interactive Tool

Use the SolfaSinger interactive tool to select clef, key, and hear the appropriate Solfege syllable and pitch.

Do Solfege

Practice jumping around the chart randomly singing first, then checking your pitch accuracy.

SOLFAGE CHALLENGE

Once you feel pretty confident in reading notes, use the solfege challenge tool: sing the notes then tap the note to check for Solfege syllable and pitch accuracy.

SINGING LESSONS

Dr. Roger Hale frequently serves as a guest clinician for choirs and solo singers. He assists thousands of singers each year to improve both their solo and choral singing.

Individual and group help can be in the form of a video or audio analysis, virtual sessions, or in person clinics.

Solfege

VOCAL WARM UPS

Warm up your your vocal chords before singing just
like you would stretch your muscles before exercising.

Solfege Singing Trainer Wow

These series of exercises will ensure a healthier voice,
and will help you increase your vocal range and
abilities.

Singing Technique and Solfege Videos

Solfege Help

Dr. Roger Hale has created a wide variety of professional videos that you can use to help improve your singing technique. Those videos range from vocal warm ups, to sight singing practice, to vocal health.

“I truly enjoyed today’s class. There are many tips that I can apply to my singing right away.
Look forward to future vocal technique sessions with you.”

Ever wonder who came up with those funny words Do, Re, Mi? It’s an interesting story that brings us back to a time long before Rogers and Hammerstein wrote their famous “Do-Re-Mi” song for “The Sound of Music.”

Where Did It Come From?

About a thousand years ago, there was an Italian monk named Guido who had a serious problem. He was in charge of the choir at his abbey, and was having a hard time helping the other monks learn new chants. Back then, music wasn’t written down like it is today, and the only thing Guido could do was sing a new melody over and over until the other monks got it.

Guido wanted a faster way to teach new chants, so he decided to name the notes of the scale. He used a chant that began each line one note higher than the line before, and took the first syllable of each line, Ut, Re, Mi, Fa, So, and La. When he wanted to teach his choir a new chant, they would learn the notes using these syllables. It worked so well that Guido and his method became famous all over Italy.

Over the centuries, Guido’s system of naming the tones of the scale evolved to the familiar Do, Re, Mi, Fa, So, La, Ti that Rogers and Hammerstein celebrated in “The Sound of Music.” This system of naming tones, called solfège, helps musicians develop a sense of the relationships between notes in a scale.

How Does It Work?

In the United States and many other countries, we commonly use Solfège with a movable Do, just as Guido did a thousand years ago. That means that Do is always the first note of the scale, the “home base” note, no matter what the key signature. In the key of C, Do means C. In the key of G, Do means G. It sounds a little confusing, but it actually makes transposing songs very easy. Once you know the solfège for a melody, you can set any note as Do and reproduce the same melody in whatever key you want.

Why Is Solfège Useful?

Solfège is great for identifying relationships between different notes in music. It helps the learner understand and recognize patterns. A pattern in music you hear very often is So-Do. Music students who are trained in solfège can hear that interval and know what it is. They have a name for it. If you don’t have a name for something, it is less obvious to the brain when that pattern shows up.

Every note has a certain function in the scale, and solfège helps you know what each note’s job is. For example, Do is the home base note. I’d say more than 99% of songs end on Do. It’s the note that makes us feel like the song is done. For each key signature this special note will have a different letter name, but it always has the same job, and you can always call it Do in solfège. If you don’t give it a label you don’t become conscious of those functions.

Solfege Do Re Mi

Patterns and Relationships in Music

So why do we need to know the relationships between notes, rather than just understanding their absolute position on the scale? Imagine you’re the new CEO of a company. The financial guy walks in and says, “Our profit in quarter three is five million dollars.” You have to wonder if that’s good or bad because you don’t know what the profit was in quarter two. But if instead he says, “Our profit is up 38%,” then you know that’s probably good news.

Similarly, in music, I could tell you that a song starts on F#. That’s nice to know, but if you don’t know what key you’re in you don’t know what that note’s function is. You don’t know how far you are from home base. On the other hand, if I say the song starts on Mi then you know exactly where you are in the scale. You’re the interval of a third up from Do.

Once you’ve learned solfege you can hear patterns in music and reproduce them. It’s helpful for both sight singing and music dictation. I’ve heard the pattern Mi Re Do so many times, if I see it I know how it will sound. Also, if I hear a pattern I know, then I can easily write it down by remembering the solfège. Solfège gives us a way to name patterns in music, talk about them, and get to know them. That way when we see them on the page we know how they should sound, and when we hear them in music we know how they’ll look on the page.

Solfege

Fixed Do Versus Movable Do

In some countries, a fixed Do system is used, where Do always means C. However, I find it most helpful as a teacher to teach using both a fixed system (ABCDEFG) and a movable system (Do, Re, Mi, etc). Some kind of fixed system is essential to provide structure and certainty. D is always a D on the piano or on any instrument. However, a movable system is best for helping students easily hear and recognize the function of each note in a scale and relationships between each note in a melody, no matter what key the music is in. So, I try to give my students the best of both worlds by actively using letter names as a fixed system and solfège as a movable system.

Part of the Language of Music

Solfège is a great tool for learning music, for sight-reading, and for understanding music theory. It’s been part of the language of music for many centuries. To tap into the power of solfège, have your child sing the solfège syllables to the songs they’re working on as part of their daily music practice. If you want to learn or review solfège, check out Lesson 13. If you’re a premium member, you can also print out these solfège flash cards from our Music Learning Resources page.

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